DOMINIQUE MILLAR - Artist
  • Home
  • About
  • Teaching
    • Current / Upcoming Courses >
      • Drawing for Beginners: How Simple Geometric Shapes Can Help You Draw Anything You Want
      • The Fundamentals of Drawing for Beginners
      • The Fundamentals of Drawing for Beginners
      • Sketching with Pen & Ink
      • The Principles of Life Drawing - Beginners to Intermediate
      • Chalk Pastel Techniques of the Masters - Beginners to Intermediate
      • Chalk Pastel Techniques of the Masters - Beginners to Intermediate
      • John Ruskin - Victorian Art Critic & Social Activist
      • William Morris - Socialism & the Egalitarian Values of Craftsmanship
    • Previous Courses >
      • 2017 >
        • The Principles of Life Drawing from the Masters
        • Sustained Life Drawing with Red, Black and White Chalk on Buff and Blue Coloured Paper
        • Painting the Nude - the limited palette approach
        • Portraiture and the Passions
        • Fundamentals of Drawing
        • Fundamentals of Drawing for Beginners at The Makery
        • Principles of Beginners Life Drawing Workshop
        • Artistic Anatomy for Beginners: In the Footsteps of Leonardo da Vinci and Michelangelo
        • The Principles of Drawing for Beginners – from Basic Geometric Shapes to Living Forms
        • The Union of Art History and Practice: the Renaissance and the "Rebirth" of Art
      • 2018 >
        • The Creative Conventions of Portraiture
        • Fundamentals of Drawing Weekend Workshop
        • Landscape Drawing Lessons from the Masters Weekend Workshop
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • Fundamentals of Drawing
        • Drawing the Nude - 1 Day Intensive Sustained Pose
        • Pastels for Beginners and Intermediate
        • Portrait Drawing: Beginners to Advanced
        • The Elements of Drawing for Beginners
        • Oil Painting for Beginners
        • The Art of Competition: From the High Renaissance to the Baroque
        • Sketching with Pen and Ink
        • Drawing the Animal Kingdom - One Day Workshop
        • Drawing the Nude in Chalk Pencil
        • The Creative Conventions of Portraiture
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • The Elements of Drawing for Beginners
        • Drawing 101: A Beginner's Guide
        • Drawing the Figure from Life - Beginner to Intermediate
        • Drawing the Figure from Life - Beginner to Intermediate
        • Chalk Pastel Techniques of the Masters
        • Learning to Draw with Traditional Mixed Media
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • Learn to Draw with Pastels - Beginners & Beyond
        • Paradigms of the Baroque: The Art of Italy and the Dutch Golden Age
        • Drawing for Beginners - From Shapes to Figures from Life
        • Drawing for Beginners - From Shapes to Figures from Life
      • 2019 >
        • Drawing Essentials for Beginners - One Day Workshop
        • Drawing with Red, Black & White Chalks on Coloured Paper
        • Drawing the Nude in Chalk Pencil
        • The Principles of Life Drawing from the Masters
        • The Elements of Drawing for Beginners
        • The Elements of Drawing for Beginners
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • Life Drawing for Beginners
        • The Sensual and the Sexual in the Art of the Renaissance and the Baroque
        • Learning to Draw with Traditional Mixed Media
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • Drawing with Traditional Mixed Media
        • The Political Artist: David, Delacroix and Courbet
        • Life Drawing for Beginners & Beyond
        • The Fundamentals of Drawing for Beginners
        • Life Drawing for Beginners & Beyond
        • Learning to Draw with Traditional Mixed Media
        • The Creative Conventions of Portraiture
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • The Principles of Life Drawing from the Masters
        • Drawing Animals Workshop
        • The Creative Conventions of Portraiture
        • Learning to Draw the Landscape with Traditional Mixed Media
        • Life Drawing Beginners to Intermediate – The Sustained Pose
        • The "Divine" Raphael
      • 2020 >
        • Drawing for Beginners
        • Draw with Red, Black & White Chalk Pencils on Coloured Paper
        • Drawing the Nude in Chalk Pencil
        • Drawing Portraits
        • Drawing Landscapes
        • The Creative Conventions of Portraiture
        • Life Drawing Beginners to Intermediate – The Sustained Pose
        • The Principles of Drawing for Beginners - Basic Geometric Shapes to Living Forms
        • Figurative Compositions with Mixed Media
        • The Principles of Drawing for Beginners - Basic Geometric Shapes to Living Forms
        • Joseph Mallord William Turner - the Sun is God!
        • The Cultural Disconnect of “Contemporary Art” - How Did We Get Here?
        • Draw with Red, Black & White Chalks on Coloured Paper
        • The Elements of Drawing for Beginners (Online Class)
        • Sketching with Pen and Ink
        • How to Compose a Still Life Composition (Online Taster Class)
        • Drawing for Beginners: How Simple Geometric Shapes Can Help You Draw Anything You Want (Online Taster Class)
        • Painting in Spain: From the Escorial to the Enlightenment (Online Class)
        • Goya - A Painter for his Age (Online Class)
        • Still Life & the Art of Composition (Online Class)
        • Learning to Draw the Landscape with Traditional Mixed Media (Online Class)
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms (Online Class)
  • Short poses
  • Studies
  • Portraits
  • Istoria
  • My Collection
  • Contact

Joseph Mallord William Turner - the Sun is God!  (Online Class)


Turner is arguably the greatest English painter ever to have lived. The immensely broad output of his work encompassed both the age of sail, which he was born into, and the age of steam, which brought about major changes he lived through. He was also an artist who took seriously the President of the Royal Academy, Joshua Reynolds' call to establish an English School on the model of the European Old Masters, while simultaneously affirming modernity and pioneering innovation within his works. A painter, who studied deeply the effects of light, may well have remarked in the weeks before his death, that ‘the sun is God’.


SUGGESTED READING:
 
  • Peter Ackroyd, Turner (Vintage Books, 2006).
  • David Blaney Brown, Turner’s Watercolours (Tate Publishing, 2008).
  • Michael Robinson, Turner: His Life and Works in 500 Images (Annes Publishing, 2013).
  • Joshua Reynolds, Discourses on Art (Yale University Press, 1997).
  • John Ruskin, Modern Painters, edited and abridged by David Barrie (Welbeck Publishing Group, 1989).
  • Joyce H. Townsend, Turner’s Painting Techniques (Tate Publishing, fourth edition, 2005).
  • Eric Shanes, Turner’s Watercolour Explorations, 1810 to 1842 (Tate Publishing, 1997).
  • Ian Warrell, Turner and Venice (Tate Publishing, 2003).
  • Ian Warrell, Turner Inspired: In the Light of Claude (National Gallery Company, 2012).
  • Ian Warrell, Turner’s Sketchbooks (Harry N. Abrams, 2015).


COURSE OUTLINE

  • Turner’s youth and early career: Born in Maiden Lane, Covent Garden, London, Turner was the son of a barber and wig maker. Some of Turner’s earliest artistic connections came via his father’s clients. When Turner was in his early twenties, his mother was admitted to a mental asylum. We will look at how Turner’s childhood shaped him as a person.
  • Turner and the Royal Academy: At age 14, Turner was admitted to the Royal Academy. We will examine how Turner’s aims as an artist were formed within the context of the art education of the time. From 1780 onwards, the Royal Academy would share the building it was housed in, Somerset House, with the Royal Society; who took up residence in the North Wing. We will see how this resulted in an interaction between the visual arts and the sciences, influencing Turner’s observation of the natural world, his analysis of the chemistry of his pigments and the nature of both light and magnetism.
  • Turner and travel: From the mid-1790s, Turner settled on the routine he maintained for much of his life, touring in the summer and working in the studio in the winter months. Turner travelled widely throughout his native Britain and to Europe – in France, Switzerland and Italy. We will seek to understand how these many years of relentless work defined him as a landscape painter.
  • Turner and Claude: We will seek to gain an appreciation for the influence the seventeenth century French painter, Claude Lorrain, had upon Turner. We will also examine the full eclectic range of artistic sources Turner drew inspiration from.
  • From the Age of Sail to the Age of Steam: We will examine how changes in technology and industry and their effect upon the landscape influenced Turner’s work.


PLANNED LEARNING OUTCOMES

By the end of this course, students should be able to:
  1. Gain an understanding of how Turner’s artistic evolution and output was impacted by the transformations in Britain and Europe’s social, economic and political life in the late eighteenth and first half of the nineteenth century.
  2. Gain an understanding of the technical aspects of Turner’s work, within a variety of media including drawing, watercolour and oil painting.
  3. Be able to relate Turner’s artistic output to the art of the European Old Masters and contemporary interpretations of their techniques, the emergence of new industrial pigments and innovations in science.
  4. Compare and contrast Turner’s work with that of his famous and less well known contemporaries.
  5. Gain an understanding of how to visually analyse works of art.


When:
Friday 1 May 2020
6.00 PM - 8.30 PM


Where:
WEA Sydney
72 Bathurst Street

  • Home
  • About
  • Teaching
    • Current / Upcoming Courses >
      • Drawing for Beginners: How Simple Geometric Shapes Can Help You Draw Anything You Want
      • The Fundamentals of Drawing for Beginners
      • The Fundamentals of Drawing for Beginners
      • Sketching with Pen & Ink
      • The Principles of Life Drawing - Beginners to Intermediate
      • Chalk Pastel Techniques of the Masters - Beginners to Intermediate
      • Chalk Pastel Techniques of the Masters - Beginners to Intermediate
      • John Ruskin - Victorian Art Critic & Social Activist
      • William Morris - Socialism & the Egalitarian Values of Craftsmanship
    • Previous Courses >
      • 2017 >
        • The Principles of Life Drawing from the Masters
        • Sustained Life Drawing with Red, Black and White Chalk on Buff and Blue Coloured Paper
        • Painting the Nude - the limited palette approach
        • Portraiture and the Passions
        • Fundamentals of Drawing
        • Fundamentals of Drawing for Beginners at The Makery
        • Principles of Beginners Life Drawing Workshop
        • Artistic Anatomy for Beginners: In the Footsteps of Leonardo da Vinci and Michelangelo
        • The Principles of Drawing for Beginners – from Basic Geometric Shapes to Living Forms
        • The Union of Art History and Practice: the Renaissance and the "Rebirth" of Art
      • 2018 >
        • The Creative Conventions of Portraiture
        • Fundamentals of Drawing Weekend Workshop
        • Landscape Drawing Lessons from the Masters Weekend Workshop
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • Fundamentals of Drawing
        • Drawing the Nude - 1 Day Intensive Sustained Pose
        • Pastels for Beginners and Intermediate
        • Portrait Drawing: Beginners to Advanced
        • The Elements of Drawing for Beginners
        • Oil Painting for Beginners
        • The Art of Competition: From the High Renaissance to the Baroque
        • Sketching with Pen and Ink
        • Drawing the Animal Kingdom - One Day Workshop
        • Drawing the Nude in Chalk Pencil
        • The Creative Conventions of Portraiture
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • The Elements of Drawing for Beginners
        • Drawing 101: A Beginner's Guide
        • Drawing the Figure from Life - Beginner to Intermediate
        • Drawing the Figure from Life - Beginner to Intermediate
        • Chalk Pastel Techniques of the Masters
        • Learning to Draw with Traditional Mixed Media
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • Learn to Draw with Pastels - Beginners & Beyond
        • Paradigms of the Baroque: The Art of Italy and the Dutch Golden Age
        • Drawing for Beginners - From Shapes to Figures from Life
        • Drawing for Beginners - From Shapes to Figures from Life
      • 2019 >
        • Drawing Essentials for Beginners - One Day Workshop
        • Drawing with Red, Black & White Chalks on Coloured Paper
        • Drawing the Nude in Chalk Pencil
        • The Principles of Life Drawing from the Masters
        • The Elements of Drawing for Beginners
        • The Elements of Drawing for Beginners
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • Life Drawing for Beginners
        • The Sensual and the Sexual in the Art of the Renaissance and the Baroque
        • Learning to Draw with Traditional Mixed Media
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • Drawing with Traditional Mixed Media
        • The Political Artist: David, Delacroix and Courbet
        • Life Drawing for Beginners & Beyond
        • The Fundamentals of Drawing for Beginners
        • Life Drawing for Beginners & Beyond
        • Learning to Draw with Traditional Mixed Media
        • The Creative Conventions of Portraiture
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms
        • The Principles of Life Drawing from the Masters
        • Drawing Animals Workshop
        • The Creative Conventions of Portraiture
        • Learning to Draw the Landscape with Traditional Mixed Media
        • Life Drawing Beginners to Intermediate – The Sustained Pose
        • The "Divine" Raphael
      • 2020 >
        • Drawing for Beginners
        • Draw with Red, Black & White Chalk Pencils on Coloured Paper
        • Drawing the Nude in Chalk Pencil
        • Drawing Portraits
        • Drawing Landscapes
        • The Creative Conventions of Portraiture
        • Life Drawing Beginners to Intermediate – The Sustained Pose
        • The Principles of Drawing for Beginners - Basic Geometric Shapes to Living Forms
        • Figurative Compositions with Mixed Media
        • The Principles of Drawing for Beginners - Basic Geometric Shapes to Living Forms
        • Joseph Mallord William Turner - the Sun is God!
        • The Cultural Disconnect of “Contemporary Art” - How Did We Get Here?
        • Draw with Red, Black & White Chalks on Coloured Paper
        • The Elements of Drawing for Beginners (Online Class)
        • Sketching with Pen and Ink
        • How to Compose a Still Life Composition (Online Taster Class)
        • Drawing for Beginners: How Simple Geometric Shapes Can Help You Draw Anything You Want (Online Taster Class)
        • Painting in Spain: From the Escorial to the Enlightenment (Online Class)
        • Goya - A Painter for his Age (Online Class)
        • Still Life & the Art of Composition (Online Class)
        • Learning to Draw the Landscape with Traditional Mixed Media (Online Class)
        • The Principles of Drawing for Beginners: Basic Geometric Shapes to Living Forms (Online Class)
  • Short poses
  • Studies
  • Portraits
  • Istoria
  • My Collection
  • Contact